London Fashion Week 2012 Spring Summer Series: Summer Flowers

Mary Katrantzou man and nature

Mary Catlanzo (Mary Katrantzou) has created intoxicating style and material illusions in her first series. How does she maintain it? How dare she maintain her latest series? It is still built around the biggest problem of our age: man and nature, but with a broader and more abstract brush, let her show off her amazing skills in previous shows. However, it is undeniable that clothing is more acceptable. To replace the rigid and formal. Sense of Architecture The garments are on the tail of knitted and transparent gauze. Sensibility The human form.

All important prints suggest natural explosions - scales, feathers, and flowers that are blasted and unrecognizable. Carter Ranzo has always focused on the sculpture of John Chamberlain's smashed car. Therefore, there is a metallic luster in the series, which is realized through the combination of gauze and polyester film on some garments, but there are also printing forms of metal objects such as cans and auto parts. Carter Ranzo extends this illusion to the actual three-dimensional metal, which is decorated in a dress, using black, crystal and hardened means as if used. nonferrous metal A special shaped applique of flower clusters diagonally coiled. Designers call it the "metal whirlwind".

Carter Ranzo's job is to fill the fashion with ideas. Here, for example, she draws parallel lines between successive repetitions, which you can see in nature, like crowded sorting in a garden, as well as industrialized mass products of our society. This is the depth of thinking you expect to find in art, but it is rare in fashion. When these ideas and implementation were integrated, Carter Ranzo made his own extraordinary new voice. However, the distance between the two is slightly confused. It seems that the abstraction is too abstract and the text is too superficial. But Carter Ranzo's error painting experiments, such as the design of Guggenheim Museum in Bilbao, are still one of the wonders of fashion.

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Basso&Brooke psychedelic and colorful

Basso & Brook (Basso&Brooke) is a brand defined by bold prints. Its colorful and colorful 2012 spring summer series is also a shining spot in London Fashion week. The design combination Bruno Basso (Bruno Basso) and Chris Brooke (Chris Brooke) have a clear division of labor. The former is responsible for designing printing patterns, while the latter is responsible for clothing tailoring.

In the 2012 spring and summer series, nature seems to be the source of inspiration. The designer prints the neon banana leaf pattern on the dot pattern and the ocean scenery, placing the garland on the vertigo and hallucination of the tone. Designer Basso has set the tropical theme in a new direction of graphics, blending the flowers in the greenhouse with the Milky way and constructivist motives.

The best results are displayed in the show, such as purple, yellow and multicolored foliage patterns, with strong simplicity. In the column dress dress and exquisite short suit, more leaf prints appear in a colorful rainbow combination. The scenery is fresh and absolutely bright. The rich purple, lava, yellow and red colors sprang up from the surface of the garment and were more vibrant by matching them with the same amazing necklace.

Another designer, Brook, judged the work of his design partner by turning the pattern into a mature and beautiful garment appearance. The series of knee and day dress is a particularly strong group: simple and transparent, with a strong impact, but it looks easy to wear. The designer pulled every highlight of the show back to the color. A black and white long sleeved blouse and long skirt suddenly attracted attention, thanks to the bright yellow and green bottom. Like purple leaves, slightly masculine trousers and rainbow toned shoulder dress are excellent. They are fashionable and characteristic.

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Erdem style years

After his hot autumn series, Erdem Moralioglu (Erdem Moralioglu) chose a cool blue for spring and summer. With the background music "the mood for love" music, designers use clothes to evoke a dreamy mood, a far more latent and subtle erotic reverie than he used to be.

In fact, the designer's design inspiration refers to the novel "Hello, sadness" by Francoise Sagan, a French woman writer. In the show, the little straw hat is exactly what the designer of the novel imagined is the hero of the 17 year old Cecil. The typical way of doing this is to add a vague twist to the story he uses to dress. Sagan's heroine may be young, but she is also an accomplice in the tragedy of growth. "Seeing and seeing" is the expression of designer's confirmation of clothing. All the etiquette on the surface is "more undressing, more shoulders and more skin, neck and back" than ever before. The designer maximizes the use of SophieHallette lace, which means the skirt shows the lightness of underwear. Like a transparent lace evening dress made of nude hard yarn, a large flower decoration is used.

When it comes to flowers, the designer's signboard, he chooses tropical treasures and ordinary old wallpaper patterns, and presents a precious texture of "Wood's pottery" in a blue tone. The designer's instinct for valuable knowledge is undeniably one of his biggest capital as a designer. Another of his skills is a sense of super control. His autumn and winter series shows that he is sticking to himself and can subvert the above characteristics to have a great impact. This show is beautiful, because his excellent work is precious and rigorous, but it is a little wandering in the small section.