The Culture Of Movie And TV Dress: "Orange Is Red" -- The Beauty Of Maturity.

Synopsis: in the late Qing Dynasty and the early Republic of China, there was a touching love story in the Jiangnan Town.

It is the perception and struggle of two women to the feudal marriage system.

Main characters: Xiu Wo, aunt, Yao Yaohui and Rong Yaohua

Scene Description: Xiu Wo born in an age of involuntary love, who can really get it.

Scene 1: a white kite flying over the golden red orchards.

Xiu Xiu, a hand-held handle, is wearing a dark and heavy cloth trousers, and a sad smile on his face.

Dress point: in the late Qing Dynasty, most of the women's farmers were short robes and broad waist.

The rich woman wears pants and skirts again.

Girls in poor families wear pants directly.

And from the texture of the dress and the number of sleeves, the number of rolls and the degree of sophistication, we can see the woman's family.

Xiu Wo's homespun jacket has rough texture and no roll decoration. Its embarrassing situation is self-evident.

Scene two: at the moment when Xiu's feet entered the family, the servant took off the black coat wrapped around her and threw it outside the door.

When the black shirt flies, it is bright in Xiu wo.

Dress point: according to Jiangnan custom, if a loved one dies recently, the bride needs to wear a black gown in the red suit.

The bride threw her blouse outside the door when she stepped into the husband's house to show her bad luck.

This is the marriage custom in Jiangnan area at the end of Qing Dynasty.

Although western culture has been introduced into China, people in the countryside are still dressed in the Qing Dynasty.

When they are married, the bride wears a phoenix crown and wears pearls and beads.

The groom is a long gown and a mandarin jacket.

Scene three: in the early morning, Xiu Yu, with a messy face and pale face, pushed the door open.

She quickly opened the baggage and hurriedly changed to the homespun coat of the peasant girl.

Dress point: for Xiu Wo, the old simple clothes give her not only the memory, but also the comfort and the strength to live.

Lens four: at this point, Rong Yaohua seems to see the background and light and shade behind Xiu Xiu.

It was the love affair of his old lady's wedding night twenty years ago, the same pajamas, the same hairstyle and the similar face.

The only difference is that the shyness and the cowardice are not seen, and they are replaced by a certain firmness.

Yaohua seemed to hear the voice of the big lady again.

Costumes: Xiu he's costume, white pajamas pyjamas and Black Embroidered belly dresses, are exactly the same as those worn by big ladies when they were newly married.

At this time, Xiu Wo was in order to continue the love of aunt. Xiu became the image of her when she was young. They became a person.

The purpose of the great wife has been achieved. Rong Yaohua saw the clothes of Xiu he immediately associated with his wife twenty years ago.

He understood that Rong was expressing grief in this form.

The function of clothing's emotional memory is vividly displayed here.

Scene five: there are only three boatmen, Xiu Wo and Yao Hui on the boat.

The water was calm, only the sound of the oars falling into the water.

Xiu Li, a red cheongsam, looks so beautiful. The bun is high on the top of the head, and even the small bangs on the forehead are lively.

She gazed at the open water, singing happily with pleasure, and her hands in the water stirred clusters of white waves.

Dress and attention: This is Xiu Xiu's eyes, but her dress is not as fashionable and elegant as that of the city girls, even the red cheongsam.

But her scarlet cheeks showed no vividness. The wind raised her hair on the temples. This moment was in the heart of Yao Hui, which was so beautiful, although this short indulgence was due to the sudden release of alcohol from Xiu Yu.

In the Qing Dynasty, the traditional clothes of the Jiangnan Water Village were fresh souls in the simple Xiu he, showing a fascinating and beautiful appearance.

When her wife died of youth, she found a substitute. Xiu Wo hoped to continue her love on her.

Scene 1: a yellow old style cheongsam full of brilliant embroidery is very young.

The exquisite bun and graceful manners imply the brilliance of this woman.

Dress point: this woman who married her husband for her husband is making the final attempt, and the last time she holds love in her hands.

Fine clothes, neat "Suzhou pout" (local hairstyle) shows her beauty.

Scene two: the helpless helplessness in a white pajamas is totally two people compared with what he saw before.

"In this world...

"The poorest person is not you, it is me!" said the wife mournfully.

Dress and attention: the original exquisite dress and graceful manners are just the camouflage of the big lady.

She was only a poor woman abandoned by her husband under the fine mask.

The white pajamas outline their deep weakness and helplessness.

Scene three: the big lady is sitting in front of the mirror and doing her makeup in a hurry. She looks very excited. "Can you see if I can do this? Think of what clothes I need to change for me.

They are used to living in the city, and I can't be too ugly.

Oh, for years, I remember last time I went to Ye Jia with my grandfather, or the year before last.

Mrs. ye knew me when I was young. In the past few years, as long as she came back to town from the city, she would have to take me to her home to meet. "

No, this is not good. It looks old, "said the aunt as she changed her clothes." let me help you with that yellow flower white flower jacket. "

Dress point: the wife is very excited and mistakenly thinks her love will soon revive.

This visit meant a lot to her.

At this time, she was just a wife eager to be loved by her husband.

Beautiful costumes and exquisite adornments are all prepared for lovers.

There is a yearning for emotion in an old lady.

The love meaning of clothing is self-evident.

The costumes of Rong Yaohua and Rong Yaohui are all robes.

Costumes: Rong Yaohua, a successful businessman, has a stylish villa in the city, an exquisite Western lifestyle and a beautiful lover.

Under the seemingly westernized appearance, Rong Yaohua is actually a traditional Chinese man.

He always follows the traditional concept of etiquette and law, and can sacrifice love in order to maintain the dignity of the family.

So in his clothes, suits represent the success of his career. Chinese clothing is the soul of this conservative and stubborn traditional man.

Rong Yaohui is different from Rong Yaohua. His gentle, kind-hearted and slightly weak character is more suitable for a peaceful country life.

Therefore, Yung Yat Hui, who wears a suit, does not have the ten training and toughness of his brother. He is very elegant and handsome.

As a regular clothing, grey cloth gown seems to be more suitable for Yao Hui's temperament.

The simplicity of the style and the roughness of the texture indicate his goodness and simplicity.

This kind of character is a kind of kindly rustic air, and it is a simple and honest character that completely integrates self and cruel and indifferent economic culture.

However, the dim grey is also a complex and contradictory combination, just like the soul struggling at the moment.

Conclusion: in orange red, director Li Shaohong inherited his aesthetic style, while the characters and love entanglements in the play became more and more touching.

Ye Jintian, the designer of Hongkong, is the costume designer in the drama.

He is good at making clothes design full of beautiful taste.

This beauty comes from his exquisite design of the details of clothes, such as embroidery patterns on clothing, which can be said to be a piece of art.

"An art director of the French art gallery once quoted me:" your design is avant-garde, but it has a sense of history. "

I am very happy. In fact, the sense of history is accomplished by details. For example, a dress is white cloth, nothing is modified, it must be very avant-garde, but you do not think he has a sense of history.

Because history is accumulated over a long period of time, and every detail is full.

The combination of avant-garde and history needs to be done for a long time, even though looking at rice is very simple.

This is Ye Jintian's view on the details of clothing.

It is also the perfect details that make the characters of orange drama red and beautiful.